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How to Solo Across the Entire Fretboard in ANY KEY with 2.5 PENTATONIC SCALE SHAPES (Guitar Lesson)
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How to Solo Across the Entire Fretboard in ANY KEY with 2.5 PENTATONIC SCALE SHAPES (Guitar Lesson)

45 Comentários







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If you want to explore this concept in more depth, check out my first lesson on the 2.5 Shapes here:

👉Download the FREE full color 18 page .pdf of the 5 Shapes of the Pentatonic Scale, and how to learn them in the right order:

👉Download the FREE 5 Shapes and 7 Modes of the Major Scale full color 11 page .pdf:

Jam Tracks referenced in this video:
G Major – by Elevated Jam Tracks:
C# Minor – by YT Jam Tracks:

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👉.PDF of Connecting Pentatonic Hotspots, after you learn the 2.5 Shapes, for Pow Music Patrons, here:

Video Chapters:
Intro to Lesson: 0:00
The Relative Major and Minor: 2:18
Jamming in a New Key with 2.5 Shapes (G Major): 6:15
Jamming in a New Key with 2.5 Shapes (C# Minor): 9:05
Parallel Major and Minor Pentatonic (G# major/minor, Db major/minor): 11:03
Theory Explanation: 14:19

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About The Author

estilominimalista

45 Comentários

  1. Intro to Lesson: 0:00
    Instruction starts with the Relative Major and Minor: 2:18
    Jam on your own in Am and then C: 5:17
    Jamming in a New Key with 2.5 Shapes (G Major): 6:15
    Jam on your own in G Major: 8:39
    Jamming in a New Key with 2.5 Shapes (C# Minor): 9:05
    Jam on your own in C# minor: 10:40
    Parallel Major and Minor Pentatonic (G# major/minor, Db major/minor): 11:03
    Theory Explanation: 14:19

  4. Suppose you're composing a backing track, and you know you want to change between major and minor. What factors could help you decide between making, say, a relative change vs. a parallel one?

  5. This is a great video but none of your free downloadable PDF's work. Only your patreon page link works. The free links are either broken or the content is no longer available on the links that you have provided.

  13. Wow! No pun attended…but you really help connect the dots!! Plenty of aha moments. I’m not sure what is best…how well you teach the material or the value of the material you teach! Many thanks!

  14. I think you can't get better demonstration thant this.Amazing video edit , explaining everything .
    Big thanks 👍

  19. Great thanks 😊 for the info it really given me new vision and the way u teach its amazing and easiest way.

  20. Your graphics are a-maze-ing. This series of tutorials is very helpful in moving me towards soloing confidence. Thanks muchly.

  24. JAMES SCOTT NICHOLSON, ONTARIO, CANADA 🇨🇦 I THINK MOST PEOPLE WOULD AGREE WITH YOU.THAT IS WHAT I KNOW
    THEM AS POINTER AND PINKY, ALTHOUGH THERE ARE THOSE WHO CALL THEM INDEX AND PINKY… PATATOES, POTATOES
    THEN THERE ARE WHAT I CALL EASY GOERS, THEY SAY FIRST AND LAST …. TOP LEFT

  25. When you're new to guitar or any instrument in general, this is like rocket science lol. Help me rock out, please. Love your videos

  28. Very cool..now I can add licks to my finger style song..😁👍🏻..Shape 1,2,4 enuf..HoB is basically shape 2..

  29. I love this content from this channel. I’m really looking to hit target notes more often. Have you or could you do a lesson on bending for blues? What intervals to bend? I know minor third bends well but it would be interesting to hear your take

  33. Thnx for this video, great illustration and explaining the shapes in diffrent scales. Thnx for the exersises in between, helps me a lot.

  34. So this to me is the best way to learn the music on YouTube. Too many artists spend time explaining what fret and string their fingers are on. If you just have these visual maps up… it makes it so much easier and you spend more time playing the licks.

  37. Best Lesson Ever My Friend..From Venezuela learning with 50 years old… when de pandemic Start .. you're lessons are the best…

  41. A big thumb up for this lesson; it has really made me understand very clearly how to navigate across the fretboard using different pentatonic shapes. Grazie Mille! Gaetano

  44. Something that's still confusing me a bit is this: Once I find the root note, does it matter which shape I'll use? Like if I wanna do F#m I can start from String 6, fret 1, and use either shapes 1 or 4 right?

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